WITHIN THE ENEMY’S FIELD OF VISION SERIES, 2005
Sound and color video, 11:00 min
The title refers to the month and year when it was realized. It’s an action consisting in suspending the camera by a string attached to the ceiling. I start to turn the camera round and round, twisting the string into one side so it gets tens and starts to go from the floor to the ceiling. When it’s all the way up, I let it loose and starts to unravel, producing an in-vagination of the image. The idea is to practice art within a structure of semantic concretions but without aiming to a determined object or fulfilling the narrative logic. The semantic concretions are arbitrary but without making any sense, nor order. The music underlies duration. The idea is to suspend the logic of the optical device that puts at distance by making it spin on its own axis. There are no objects but durations.